Some illustrators are able to jump headfirst into a robust career from the get-go. However, most illustrators need to work a day job while pursuing illustration on nights and weekends for a number of years until they’re prepared to make the leap. While each circumstance is unique, here’s what I’d suggest for transitioning from my own experience:
As illustrators we’re often tasked to complete Herculean tasks under impossible-seeming deadlines. We slave away, get the projects done just in the nick of time, turn them in and then . . .
So, you’ve wrapped up on your first illustration assignment and are ready to get paid. Congrats—that’s a big first step! But now you’re wondering how your payment will come in from your clients once your invoice is processed. Not to worry—it’s pretty straight forward.
As an illustrator starting out, it can seem puzzling as to why some artists are getting tons of work yet you’re struggling just to book a single assignment. Below, are the top eight reasons why art director’s aren’t beating down your door and, also, how to overcome them:
A-a-a-a-n-d we’re back! Hope you all had a nice summer! As I mentioned in my last official post, I had to take a bit of time off from the blog to fully focus on a couple of big projects. Luckily, they’re mostly done so I can now return to dishing out advice and info. And, since the school term is starting and Fall is here, this is a good time to get things back in gear with a plan of action.
As a beginning illustrator, there are a variety of things necessary to jumpstart your career—from updating your portfolio to putting out a new promo piece. The following plan can help move your career forward in just a few short months:
Hey there! I’m working on some new posts and starting next week, the blog will come back into action! In the meantime, I wanted to hop on here and do a little shameless self-promotion because I have something I’m really excited about.
I’ve got a couple of major all-consuming projects I’m working on for the next few months. Because of that, I won’t have much time to update this blog until the Fall. So Business of Illustration will be going on Summer Vacation until September until I’m able to return with all new posts. In the meantime, if there are any things you’re keen on hearing more about when the blog returns, shoot me an email and I’ll put them in the queue. See you in September!
Those who follow my illustration and writing career will know that two weeks ago I announced my new book, The Secrets to Ruling School (Without Even Trying), which will be published by Abrams Amulet on September 1st, 2015. Selling a book can be a challenging experience and I thought that this would be the perfect time to talk about how an aspiring author/illustrator can make that dream a reality.
Last week, we looked at what art directors want from illustrators. Now it’s time to put the shoe on the other foot and examine what illustrators want from art directors. This should be a good primer for anyone thrust into the role of art directing or commissioning illustration, or who just wants to get better at it. Here’s a list of what art directors should know:
Illustrators sometimes complain about their working relationships with art directors. But, did you know that art directors occasionally have their own gripes about the illustrators they commission? Other than doing amazing work, there are some universal things that art directors want from illustrators engaged in a project. From my own experiences behind the table, these are the things I think most would agree on: