I’ve always loved this Harlan Ellison video and just stumbled across it again recently. It applies just as equally to illustrators as it does to writers.
Writing an illustrated middle grade novel is particularly challenging because both the text and illustrations need to be accounted for and work harmoniously within the manuscript. To simplify the process of writing my own illustrated middle grade books The Secrets to Ruling School (Without Even Trying) and The Secrets to Ruling School: Class Election, I used a program called Scrivener. Here’s how I was able to make that process manageable:
Hey there, I’m still alive! Things have just been really busy and I haven’t had time to post again until now. I’ve been working on my latest authored/illustrated middle grade novel, The Secrets to Ruling School: Class Election, and have had to put all of my energy into that in order to finish on time. I just wrapped on it last week so I can finally get back to posting on a more frequent basis. In fact, I’d like to take this post to talk about my experience working on the novel for those who might like more insight into that area of business.
There are a million book covers out there—some amazing, some not so much. What separates the heroes from the zeroes and how can you create a book cover that achieves its goals and gets people talking? In this post, I’ll explain what makes a compelling book cover and how you can improve your cover illustration game.
Some illustrators are able to jump headfirst into a robust career from the get-go. However, most illustrators need to work a day job while pursuing illustration on nights and weekends for a number of years until they’re prepared to make the leap. While each circumstance is unique, here’s what I’d suggest for transitioning from my own experience:
As illustrators we’re often tasked to complete Herculean tasks under impossible-seeming deadlines. We slave away, get the projects done just in the nick of time, turn them in and then . . .
So, you’ve wrapped up on your first illustration assignment and are ready to get paid. Congrats—that’s a big first step! But now you’re wondering how your payment will come in from your clients once your invoice is processed. Not to worry—it’s pretty straight forward.
As an illustrator starting out, it can seem puzzling as to why some artists are getting tons of work yet you’re struggling just to book a single assignment. Below, are the top eight reasons why art director’s aren’t beating down your door and, also, how to overcome them:
A-a-a-a-n-d we’re back! Hope you all had a nice summer! As I mentioned in my last official post, I had to take a bit of time off from the blog to fully focus on a couple of big projects. Luckily, they’re mostly done so I can now return to dishing out advice and info. And, since the school term is starting and Fall is here, this is a good time to get things back in gear with a plan of action.
As a beginning illustrator, there are a variety of things necessary to jumpstart your career—from updating your portfolio to putting out a new promo piece. The following plan can help move your career forward in just a few short months:
Hey there! I’m working on some new posts and starting next week, the blog will come back into action! In the meantime, I wanted to hop on here and do a little shameless self-promotion because I have something I’m really excited about.