Photoshop has a ton of different formats to save files as—from JPEG, PNG, and GIF for web-based work to TIFF, EPS, and PDF for print. However, when I’m delivering final files to clients, for most work I use the native PSD format. Here’s why:
As an illustrator, copyrighting your work is incredibly important. It provides a number of unique benefits and is relatively inexpensive. Unfortunately, it’s also misunderstood by a great number of people. The following highlights some basic information about copyright that every illustrator should know:
One of the most frequent questions I get from young or aspiring illustrators is about having multiple styles in a portfolio. While it’s true that you should have a consistent style, it doesn’t necessarily have to be limited to a single one if you know what you’re doing.
Book covers are a unique market for illustration, however not many illustrators know about the long, arduous road they go through to be produced. Since I’ve worked both in-house at publishers and on my own as an illustrator and art director, I thought I’d shed some light on that journey.
Illustration reps can be great allies for illustrators. However, while they may seem like the pot of gold at the end of the rainbow for many inexperienced graphic artists, there are some positive aspects and some negative aspects about having a rep that should be considered before teaming up with one. In this post, we’ll discuss those different facets.
Should an illustrator charge for sales tax when submitting his or her invoice? Though the laws differ slightly from state to state, in most cases the general answer would be “no.”
This time of year is when illustration majors everywhere are graduating from their programs. Here’s some advice for those of you about to embark on this difficult journey:
Now that the school term is winding down, graduating illustration students everywhere are freaking out about how they’re going to pay the rent. A few rockstars will be able to launch their careers right away as full-time illustrators, but for most, the process of establishing oneself takes years. Which means, if you’re an aspiring illustrator, you’ll need to find a day job to support yourself until then. But, which day job should you get?
Having a contract is essential for any illustration assignment. But what should go into that contract can oftentimes be confusing and downright scary, particularly for those of us who are more artistic-minded rather than business-minded. In this post, we’ll take a look at a great resource to help with your contracts and discuss the different things that should go into a standard one and the reasons why.